Ivan Yakovlevich Bilibin, "Tsar Saltan and Babarikha"
Ivan Yakovlevich Bilibin
1876-1942
TSAR SALTAN AND BABARIKHA
signed in Latin, initialled in Cyrillic and dated 1929 l.l.
watercolour and gouache over pencil on paper
45.5 by 53.8cm., 18 by 21 1/4 in.\
Bilibin had moved to France in 1925 and stayed there until 1936. The present work, executed at the height of the artist's powers in 1929, is a jewel-like composition that draws on the influences of Russian folk art, icon-painting and mediaeval manuscript illumination. Whilst working on the series of small 'panels' from Pushkin's Tale of Tsar Saltan to which the offered lot belongs, Bilibin had also been designing the stage-sets and costumes for Rimsky-Korsakov's opera of the same name, which had its premiere as part of the Russian opera season in Paris at the Théâtre des Champs-Elysées. Indeed, Bilibin incorporated certain elements from the decorative panels into the set designs.
Це зображення (чи мультимедійний файл) перебуває в суспільному надбанні у всьому світі через те, що термін охорони закінчився (минуло 70 років з дня смерті автора або з моменту першої публікації).
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This work is in the public domain in France for one of the following reasons:
Its author (or the last of its authors in the case of a collaboration work) died more than 70 years ago (CPI art. L123-1) and did not benefit from any copyright extension (CPI art. L123-8, L123-9 and L123-10)[1];
It is an anonymous or pseudonymous work (the identity of the author has never been disclosed) or a collective work[2] and more than 70 years have passed since its publication (CPI art. L123-3);
It is the recording of an audiovisual or musical work already in the public domain, and more than 50 years have passed since the performance or the recording (CPI art. L211-4).
Please note that moral rights still apply when the work is in the public domain. They encompass, among others, the right to the respect of the author's name, quality and work (CPI art. L121-1). Attribution therefore remains mandatory.
↑Copyright extensions must be considered only in the case of musical works and of authors Mort pour la France (died during conflict, in the service of France). In other cases, they are included in the 70 years post mortem auctoris length (see this statement of the Cour de Cassation).
↑The collective work status is quite restrictive, please make sure that it is actually established.
Таким чином, ця репродукція також перебуває в суспільному надбанні. Це стосується репродукцій, створених у США (див. справу Bridgeman Art Library v. Corel Corp.), Німеччині та багатьох інших країнах.
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